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REMEMBERING THE OTHERS, 46'00'', 2015

Directing, script, editing and drawings: Ana Čigon
Interviews with: Qëndresë Deda, Dardan Zhegrova, Linda Gusia, Majlinda Hoxha, Erëmirë Krasniqi, Vjollca Krasniqi, Lura Limani, Nita Luci, Hana Qena and Vesa Qena.
Sound editing assistance: Vasja Progar
Camera assistance: Donjeta Murati and Vala Osmani
Music: Ana Čigon and Vasja Progar
Albanian to English translations: Qëndresë Deda and Donjeta Murati
English to Slovenian translation: Ana Makuc
Producers: Ana Čigon; Stacion – Center for Contemporary Art, Prishtina - Kosovo; City Gallery, Ljubljana - Slovenia
Full credits list
Translations: Albanian, Bosnian, English, German, Macedonian and Slovene
Interview about Remembering the Others for CinéWomen

CINEFFABLE festivals

Festival screenings:
27/4/2017 - 22nd MESS Memory Module, Kino Meeting Point, Sarajevo - BiH
• France Premiere: 29/10/2016 - 28th Paris International Lesbian & Feminist Film Festival - Cineffable, Espace Reuilly, Paris - France (Official Selection)
• 18/10/2016 - Autmn Film School, Slovenska Kinoteka, Ljubljana
• Slovene Premiere: 14/9/2016 - 19th Slovene Film Festival, Main Theatre, Avditorij Portorož - Slovenia
• Croatian Premiere: 10/9/2016 - Festival Novih, Center mladih, Slavonski Brod - Croatia
• Albanian Premere: 5/8/2016 - Balkan Film Food Festival - B3F, Pogradec - Albania (Selected for Competition)
• German premiere: 28/5/2016- South-East European Film Festival, Kinosaal der HU, Berlin - Germany (Selected for Competition)
4/11/2015 - RomaCinemaDOC (Official Selection)

Exhibition and other screenings:
• Stacion - Center for Contemporary Art (work in progress version of the film),
• Red Cycle in Black Cinema, Živko Skvotec, Factory Rog (pre-premiere screening)
• KC Tobacna 001

festivals

Remembering the Others is a documentary about the meaning and power of public monuments. In the film students, artists, theoreticians and activists from Prishtina, Kosovo talk about the meaning of monuments. Which people have the privilege to be represented in monuments? Why there are almost no monuments dedicated to women in Kosovo? Which other people (marginalized groups) and stories are excluded in such monuments? The film states that if the (hi)stories of marginalized groups are hushed, and the (hi)stories that have visibility are not questioned, the result will always be a misleading sense of normality. A status quo that creates a platform that gives certain groups the push to the top positions and other groups the push to oblivion, all accompanied by a deceptive sense of fairness and normality. The film epilogue opens way to ideas about what kind of monuments people want for the future.

 

Remembering1 Remembering2 Remembering3
Remembering4 Remembering6 Remembering5
Remembering7 Remembering8 Remembering9
Cineffable1 Cineffable3 MESS6
MESS1 MESS2 MESS3
MESS4 MESS5  

Photos: stills from film (1-9), photos by Melissa Potter at Cineffable festival (10-11), photos by Forum ZFD at MESS Memory Module (12-17)

 

Publications:

● Interview about Remembering the Others for CinéWomen

Please wait a few moments until the upload is complete. Otherwise check the direct link:
https://issuu.com/wacartpress/docs/cinwom_iss016_dance.art.cinema/88
 

Other publications:
25 let po Jugoslaviji: vidiki pojma postjugoslovanski film (25 years after Yugoslavia: aspects of the term post-Yugoslav film), Jesenska filmska šola (Autumn Film School), Slovenska kinoteka, Ljubljana, 2017 (p 25-26, 159-171)
Memorinmotion - Pedagogical Tool on Culture of Remembrance (second supplemented edition), manual and DVD, Forum ZFD, Sarajevo, 2016 (p. 14, 77-81, 95 and DVD, in English, Bosnian, German, Macedonian and Albanian)
FSF Catalog (p: 112,113)
Cineffable Catalog (p: 10, 23, 50)
B3F Catalog (p. 69)



Ana Čigon